

I'd like to say I'd be hard pressed to think of a time when I was this stressed, but unfortunately it happens to me quite often. Sometimes it is for good reason - a test, a big project, too many hours at work, other times the anxiety comes with no triggers at all. All the same, it's something I continue to struggle with and this week, is one of those instances.
That being said, I'm worrying about IP and the progress I have/have not been making. It seems as though many other students have things much more figured out than I do - though I'm sure that's not necessarily the case. Either way, I'm feeling very pressured to "make" something every week, and I don't think this type of experimentation is working for me. The things I've been making just have not been to my liking and I feel as though I'm just going in circles.
So, per Amanda's advice, I'm taking time to reflect on my ideas, think about what isn't working, figure out why, and change my plan of attack.
I've been thinking of possible revisiting the idea of the cabinet as a container for a collection - with drawers that held vignettes of a person's (maybe Doris Duke's) life. I love the idea that text may be included in some drawers...maybe a scroll with a story is pulled out of one of the drawers. I also think that one or more of the drawers could be locked, keeping part of the piece a secret.
However, I've also been thinking more about taking a step away from others (like Doris Duke) and doing something more personal. I think I was afraid to do something personal after my pretty rough semester last year (I did many projects about my grandmother in the midst and after her death). But looking back to the doll dress piece (seen here in the past) I like the idea of working with fabric - a collection of fibers - as a means to talk about family, domesticity, relationships, togetherness, and tangibility. Which led me to think about doing an installation more along the lines of something by Sam Gilliam (seen above). By sewing together and "collaging" clothing I've collected (or my family has collected) over the years I could create a piece that really said something about the inter-connectedness of my family and its history.
This week:
Tuesday - sketched, freaked out.
Thursday - talked to Amanda and Seth, regrouped, wrote, looked back on my previous work, thought about new ways to look at collections.
What's next:
Try not to freak out. Draw. Write. Take a look into fabric and clothing and how those materials could be used to convey the idea of collection and family.

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